Monday, June 6, 2011

Insomniac Theater Presents: What Amber Heard

Wednesday, June 1, 2011 01:31:27 PM


SPOILERS AHEAD!

Self Portrait of a three-year-old
Last night my three-year-old granddaughter and I recently watched 101 Dalmatians, after which she spent the next two hours running around the house yelling "15 puppies! 15 puppies!" It is amazing that she has so much energy after only three hours, 45 minutes sleep, two spoonfuls of strawberry yogurt, a package of cheese and crackers and half a gallon of milk, consumed in 8 ounce increments.

She sleeps in our bedroom and often slips into our bed and is prone to peer over my shoulder and ask, "What are you watching Pop-pop?" I have had to move my late night viewing to what used to be the office and is now discarded toy storage.

During a particularly sleepless night, I watched a double feature, 2006's All the Boys Love Mandy Lane, Jonathan Levine's first feature length film as a director and veteren filmmaker John Carpenter's 2010 The Ward.  I didn't realize it but I was in for a night of Amber Heard, a new (to me) scream queen.
Amber Heard was Mandy Lane and Kristen.

Monday, May 16, 2011

Insomniac Theater Presents: Miike Madness

Monday, May 9, 2011 10:22:00 AM

Recently, a friend returned my DVD of 2001's twisted love story Audition.  Audition was my first exposure to the to the world of Takashi Miike; I had ordered it on Amazon (pre-release!) on impulse, based entirely on the blurbs. I watched it once, then put it in the cabinet with my rusty nails, hand grenades, dirty syringes of smack, Rush Limbaugh tirades, everything that tastes good and other unhealthy things and forgot about it.

I don't know what possessed my to take it out and share it with Steve; perhaps the perverse image of him watching it in his lovely, suburban living room replete with high def tv and the assorted bric-a-brac of normal family life contrasted with the white knuckle horror of the final act was too much for me to pass up. He returned it with clenched teeth and a “don't ever do that to me again” look on his face.

Updates from the cellar

Olivia and I just finished watching a colorized Night of the Living Dead; I guess she has gotten over our Takashi Miike fest (post coming soon).  NOLD is still the scariest movie I have ever seen.

Last week I watched Audition and Ichi the Killer and have never enjoyed being repulsed so much.  I also saw the latest Harry Potter film, but haven't found much to say about it.

Sunday, May 1, 2011

Problems of Leisure


Last night I saw a commercial for X-Box  that used the Gang of Four song, "Natural's Not In It," from their 1979 debut album, Entertainment. The song is a fairly straightforward rant against consumerism, the systematic creation and fostering of a desire to purchase goods and services in ever greater amounts, (Wikipedia)Even though the commercial only features the funky, grinding guitar break and no lyrics, which mock  society's attempt to find fulfillment by acquiring the newest pleasure toys.  By definition, this attempt to stay abreast is a never ending (or winnable) battle because the objective will always remain out of reach.

The problem of leisure

What to do for pleasure
Ideal love a new purchase
A market of the senses
Dream of the perfect life
Economic circumstances

Tuesday, April 26, 2011

Insomniac Theater Presents: Grindhouse and Exploitation Treasures

Tuesday, April 26, 2011 08:20:16 AM

This morning Gilligan at Retrospace, the best blog for looking at the world of my childhood, published another fantastic post called 1970s Grindhouse:  You Can't Go Home Again.  In between the newspaper ads for horror and sexploitation double and triple features, he speculates on the demise the genre and reasons why it has not experienced the renaissance many thought it would.  

So, with Machete, Piranha 3D, and Drive Angry tanking at the box office, can anyone out there deny that the public at large does not want this kind of smut? Don't blame Hollywood. When it's offered in the theaters, no one goes to see it.  It's a sad example of how you may want things to be as they were, but you can never go home again.