The Mist (2007) [Biblical Horror]

Directed by Frank Darabont
Writing Credits (WGA)  Frank Darabont (screenplay), Stephen King (novel)

Frank Darabont’s 2007 adaptation of Stephen King’s novella The Mist is a great example of the rare movie that asks, “What if the God of the Old Testament were to re-emerge today?” Shortly after it begins, a terrible calamity befalls a small New England town and a group of local citizens and “summer people” find themselves struggling for survival inside the supermarket that is trapped inside an other worldly mist.

Shocktoberfest 2015-The Mist (Frank Darabont, 2007)

Every spring, my old home state of Vermont shuts down for  Town Meeting Day. This a day for the populace to practice democracy by directly by debating, discussing and voting on various ordinances.  It is a tradition that goes back to the 17th century.  On Town Meeting Day in 1999, Vermont Public Radio broadcast a brief interview with author Stephen King about the new mini-series based on his novel Storm of the Century.  The timing was no coincidence since the climax of Storm takes place at what is probably one of the saddest Town Meetings in literature. I cannot remember his exact words (and if anyone can find them-you'll earn a place of honor in my heart), King started the interview by saying that there was nothing scarier to him than a group of ordinary citizens gathered together in terrible circumstances.  This theme returns time and again in many of his works and their various sized screen adaptations but one of the best is Frank Darabont's 2007 version of King's novella The Mist. Huddled together for survival in a New England grocery store the morning after a storm, this collection of concerned citizens gleefully shed their silly man suits and willfully start biting the heads off their neighbors for the singular pleasure of shitting down their necks almost as soon as the blood from the first victims starts to fly.

HP 5

Thursday, December 2, 2010 12:00 PM

NB: The film version of the seventh and final Harry Potter book,  Harry Potter and the Something something, part one,  has opened and I feel duty bound to watch  it.   In preparation for the final film chapters of the Harry Potter Saga, I will watch the six previous films and write about the experience.  There will beSPOILERS !
The fifth Harry Potter film, Harry Potter and the Order of the Phoenix doesn't make too many big changes in the wizarding world.  Voldemort's power continues to grow, the students at Hogwarts arre divided between loyalty to Dumbledore and aleigence to Voldemort.  

Bellatrix Lestrange

Female characters are often under=developed in the Hrary Potter films.  Despite being Harry's companion since the beginning, Hermione Granger is a mystery. And aside from casting an occasional spell or helping brew a potion, she mostly rolls her eyes and “harrumph-ing” at her male companions. She was born of two muggle parents and respected for her intelligence, 

Even arch villain, Bellatrix Lestrange is given little to do except kill Sirius in the final battle.

A major exception is Dolores Umbridge, the new Defense Against the Dark Arts instructor From the Ministry of Magic. Her public face is a sweet, elementary school teacher in pink. In private, she twitches and quivers with secret passions and ambitions. Stephan King called her “ greatest make-believe villain to come along since Hannibal Lecter....” 

Shortly after arriving at Hogwarts she begins to insinuate herself into it administration, eventually replacing Dumbledore as headmaster and turning the school into a totalitarian state, with her installed as chief despot.

Once installed as headmistress, she rules the staff and students of Hogwarts with an iron fist, using her position with the Ministry of Magic to bully and coerce staff and her powers as a witch to subject the students to painful tortures and illegal drugs for interrogation.ses.

She is last seen being dragged off into the woods by a herd of angry centaurs. I hope to see more of this conniving, unconscionable villain. Things are much more interesting when she is around.

Saturday, December 4, 2010 03:00 PM

Carrie (1976)

Monday, November 15, 2010 08:31 PM

In the fourth grade, at my friend Jeff's house, I spotted a book that his older sister had finished reading. The cover showed the face of a lovely girl, half in shadow, the other half in a silhouetted and masculine profile. His sister Judy asked me if I wanted to read it and I, being too scared of her to say no, said yes.

This was the first book written for adults I had read. It also introduced me to an author whose body of work would grow and mature as I did. I am talking about Stephen King's first novel, Carrie.

Years later, sitting in my literature classes at Miami, I hoped that a hundred years from now future students would be reading and deconstructing The Shining or The Stand just like we were doing with novels like The Red and Black or Death in Venice.

Not just an author of scary stories, King has also captured the minds, the thoughts, and the attitudes of Americans in the twentieth century with his writing. More than once during my years in Vermont did I meet someone who could have been one of King's New England characters.

Due to my parents strict "No R rated movies" policy,I wouldn't be able to watch Brian Depalma's 1976 adaption of Carrie until several years after it was released. It was maddening to listen to other kids, whose parents seemed not to care about movie ratings, talk about the movie (and give away the ending.) But at least I had read the book and could do my own compare and contrast exercises in my head.

The transition from book to screen went smoothly; Brian De Palma bought the rights to Carrie at the encouragement of a friend and easily found a studio interested in funding him. The film was a commercial and critical success, with two of its cast members earning Academy Award nominations.

King did not have any thing to do with making of Carrie, although he has reportedly said that it was a good movie. After watching it again recently, I think he is underestimating it. Not only is it a good horror film, but also a well made movie. De Palma brings a well crafted visual style to the movie while Lawrence Cohen's script imbibes the main characters with much broadness and complexity.

Sissy Spacek & Piper Laurie
practice family values at home

The cast's performances raise  Carrie above  most horror films from 1976.  Sissy Spacek gives an amazing performance as the titular character. She takes Carrie White from a shy and immature little girl to a mature young woman and then a vengeful demon sating its blood-lust on her Bates High School class in a short time. I found myself sharing her prom date Tommy's infatuation with her. I would have fallen in love with her too. This ebullience makes her final transformations in the last half of the film all the more frightening. It is subtle and delicate work; Spacek is absent for most of the first half of the film after its horrifying beginning. 


The contrast to her naiveté is the truly malevolent Margret White, Carrie's mother. Piper Laurie exudes her fervent religious insanity with a powerful intensity that casts her as one of the screen's most monstrous mothers. Both Spacek and Laurie earned Oscar nominations for their performances in Carrie.

Nancy Allen

Spacek's other supporting actors give fine, but less powerful performances. Carrie's high school nemesis, Chris Hargensen, played by Nancy Allen (RoboCop's partner!) is mostly a mystery; other than that she has Farah Fawcett hair, is dating hoodlum John Travolta, er, Vinnie Barbarino, er, Billy Nolan, and hates Carrie, nothing more is known about her. King seldom provides explanations or back stories for the evil that visits his characters; it just exists.

John Travolta as Billy Nolan or Vinnie Barbarino

Sue tries to use her boyfriend to redeem herself

Often King's characters cause calamity by acting in misguided or misinformed ways. This is personified by Sue Snell, Carrie's classmate, neighbor and a tormentor in the the film's opening scene played by Amy Irving, It is her attempts to redeem herself for harassing Carrie in the locker room that set the Rube Goldberg type chain of events in motion and results in the doomed dance.

Roger Daltry as Tommy, Sue's boyfriend

Sue's terror in the final scene, where Carrie attempts to drag her to Hell in a dream, might stem less from her fear of Carrie and more from guilt over her role in the demise of most of Bates High School's class of 1976.

The final act of the movie begins with Carrie near the height of her triumph-she stood up to her mother and has made a successful entrance to the prom. Her descent to vengeance seeking, blood spattered, homicidal demon is quick. Carrie ends the film a scared child, seeking comfort in her mother's arms, her transformation complete.

Prom Queen Carrie

Wednesday, November 17, 2010 06:30 PM