Enter the Void

Thursday, December 2, 2010 08:29 PM

Not being able to sleep can make me crazier than I already am.  I used to feel trapped by my  thoughts, imprisoned in my head.  And there be monsters in there.  Watching movies has been helpful at escaping, and writing has been even more effective.    Recently, I found myself thinking, “What better film to view in the predawn morning than Gaspar Noe's latest film, Enter the Void?"  I had been hearing about this movie that seemed to be more of a psychedelic journey than anything else for over a year and had been looking forward to watching it.

To say the movie is visually stunning is an understatement-it is amazingly trippy. Tokyo turns into a neon glowing fantasy world.  The line between what was shot with camera and what was computer generated graphics is so thin that the viewer is constantly off guard, trying to keep up with the sifting and changing scenery.

Oscar's hallucination

The story is told from the point of view of Oscar, a young American living in Tokyo with Linda, his sister. For most of the movie, the camera acts as his eyes, complete with blinking. He spends most of the film under the influence of powerful hallucinogens.  The sequence where he smokes DMT, a powerful hallucinogen,  is beautiful and eerie . The colors, shapes and lights swirl hypnotically, creating a constantly changing womb like galaxy.

Oscar needs to pull himself back when the phone rings, leaving little, dancing sparkles flitting about his periphery. That brought back some memories! After watching something transform into something new, then having to focus, there would often be little remainders of the dancing transformations, tendrils of light rising off the corners of a mouth, concentric lines like the age rings of a tree around their faces, still objects come to life as they breathed, growing and shrinking.  Colors would be brighter and the air would filled with glowing embers. A good computer generated approximation is the Electric Sheep Screensaver.

Oscar goes into the night

The night turns into a
 glowing, fantasy land

As Oscar and his friend, Alex go out later that night, Alex explains what happens to the soul after death, according to the Tibetan Book of the Dead. The dead rise up like ghosts and can see and hear what goes on in this plane of existence, but are unable to interact with it. Then they relive their lives, and can either move on the a higher level, or if they are too attached to move on, they stay here watching until eventually being reincarnated.

Alex's summation is useful for the viewer in understanding what happens in the rest of the movie. Oscar and the viewer go on that journey; we both look down on his memories and the present, stirred together in a confusing mixture. Oscar watches how his friends and sister struggle with the impact of his death from his ceiling vantage point, passing through walls and across the night sky. Occasionally he floats down, closely observing their lives. Sometimes what he witnesses is real, sometimes surreal. At one point, his soul travels through a Love Motel and observes the couples having sex. Phallic shaped glow sticks replace men's penises, and white, ectoplasmic smoke drifts out of the women's genitals.

In a memory, Oscar and Linda walk
through an already psychedelic Tokyo night

Always bewildering and maze like, Enter the Void is occasionally difficult watch. Linda spends so much of the film in hysterics that I found myself rooting for the sleeping pills when she attempted suicide.

Sometimes the best thing to be said about a movie is the illusion of motion, produced by a rapidly projected series of still images and that is certainly true with Enter the Void. I found myself completely immersed by the artistry and beauty as Oscar's night passed.  The last time I experienced anything as stunning was watching a sunset from a mountain top in Vermont; the colors became so intense they made their own sounds, filling the air around with light and music until the sun disappeared below the horizon, leaving me to find my way home in the dark.

Sunday, December 5, 2010 08:33 PM

Insomniac Theater Presents Previews of Coming Attractions

Saturday, December 4, 2010, 6:06 AM

I've been awake for over 24 hours, the longest I've been conscious without special circumstances such as intense pain or intense pleasure. I know my heart is racing without using instruments to check it, my breathing is shallow and my skin is layered in a thin rime of cold perspiration. It is still full dark and I try to convince myself that there is no movement out there beyond the range of the porch lights.

I am at my weakest now, and I clutch my talisman, praying that dawn will come and bring salvation to me for one more day.

In the meantime, I will continue to work on my future posts; the one on Gaspar Noe's Enter the Void is nearly done.  The Harry Potter and the Order of the Phoenix  one has to be finished soon because I watched  Harry Potter and the Half Blood Prince  last night so I need to organize my thoughts on that film before I can see the latest HP film.

Then there are the ones from New Orleans,  Salt v. Machete, if I can read my hand written notes, and the personal one about the going through airport security in a wheel chair.

The dogs are barking, something is approaching the perimeter; where is Commander Adams?

Blogging Harry Potter

Sunday, November 28, 2010, 12:06 PM

I don't consider myself a huge Harry Potter fan. I have found that the books can be over long, over complicated, and tedious to read. But I couldn't wait to get my hands on the next one.  The movie versions, although epic in length, are stripped down to a bare minimum of plot and move along at a fast pace. The film version of the seventh and final Harry Potter book, Harry Potter and the Something something, part one, has opened and I feel duty bound to watch  it.   In preparation for the final film chapters of the Harry Potter Saga, I will watch the six previous films and write about the experience.  There will be SPOILERS!

I downloaded all six movies from a USENET newsgroup and started re-watching the films during our recent vacation in New Orleans. My plan was to write about each film as I saw them, but didn't have the energy after our long trip.  It was easier to watch the next movie. I ended up watching the first three together, and write about them in one post.

Some of the things I wanted to write about are but couldn't fit in are:

• I do some of my best thinking in the shower.
• Not a lot happens until the end of the first and second movie. The previous 2/3rds are exposition about the characters and location.  The real mystery doesn't present itself until the end, when Harry fights against his nemesis.
• The third movie is beautifully made, using many interesting and stylish effects.  A great example is the glorious montages that depict the changing of seasons.  Sometimes the visual style threatens to overwhelm the movie, but it is totally worth it when you can't sleep.

We first meet our protagonist in Harry Potter and the Philosopher's Stone (2001) , directed by Chris Columbus. His further adventures are chronicled 2002's Harry Potter and the Chamber of Secrets, also directed by Chris Columbus. The third installment in the Harry Potter franchise is 2004's Harry Potter and the Prisoner of Azkaban, this time directed by Mexican director Alfonso Cuaron.

Harry Potter is an orphaned adolescent whose parents were murdered by evil wizard, Lord Voldemort when he was an infant. He divides his time between the nonmagical world of his aunt and uncle and the magical world of his parents. Each film takes place during a single school year and chronicles Harry's growth, both as a wizard and as an adolescent heading for adulthood. The films have a similar three act structure; Harry's relationship to the nonmagical world of “muggles” (non-wizards or non-witches), his life during the school year, and a final segment that is part climactic battle and part epiphany.

Each movie begins in the muggle world, the non magical world, in the home of his abusive, adoptive family, the Dursleys. Harry struggles to fit in with them, but they treat him with contempt, believing him responsible for the death of his mother, sister of Mr. Dursley. Life with the Dursleys is work and and humiliation.  Their dislike of Harry is so great that they bar the windows and padlock the door to his room.

As Harry's strength and maturity grows in the wizarding world, so does his ability to defend himself in the muggle world.This arc is reflected by how he leaves the house; in the first two films, he needs help to leave the house, but in third, he is able to walk out on his own.  

The middle section of each film takes place at Hogwarts, a school for people with magical abilities.  Hogworts is also where Harry makes his friends and meets his enemies.  His greatest enemy is the mysterious Lord Voldemort, the wizard that killed Harry's parents. Voldemort is known as a “dark” or evil wizard who was unsuccessful in his attempt to kill Harry when he was an infant.  He is without physical body in the first three movies, relying on humans to do his evil bidding.

Draco Malfoy and his toadies

Among Harry's mortal enemies is the Malfoy family, whose son Draco also attends Hogwarts. The Malfoys preach racial superiority, based on how the magical talents were inherited. Like white supremacists, they often refer to them and their kind as “pure bloods.” Lucius, the patriarch of the family, uses his position at The Ministry of Magic, the governing arm of the wizarding world, to foment discriminatiuon against half bloods, wizards and witches with one magical parent, and mud bloods, those with two muggle parents.

Near the end of the school year, also the final section of the film, Harry does battle against his enemies, using the tools he picked up inn the middle section.  As the series progresses, Harry's strength and skill also increases.  

Hermione helps Harry save himself

In the first two films, Harry receives aide off-screen; the first is a spell cast by his mother to save him from Voldemort, the second by two magical items that appear, well, magically.  In the third film, Harry is able to save himself by going back in time to save himself when failed to cast a spell correctly.  Even though his loyal friend, Hermione, provided him with the means to travel back in time, it was his increased confidence that allowed him to succeed where he had failed earlier (or failed at the same time? Time travel can be so confusing.).

Thus far, Harry is well on his way down the path of his own bildungsroman,  his journey from adolescent to adult.  I can't wait (maybe I am that big of a Harry Potter fan after all) to see what happens in the next movie, Harry Potter and the Goblet of Fire.

Sunday, November 28, 2010, 9:30 pm

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Can't sleep

Thursday, November 3, 2:11AM

Can't sleep again, thinking about stuff I would like to say.

I thought I was being original by coining the phrase "vomit blog," meaning a place for me to spew whatever is in my brain, but alas, I am exploring already charted territory.  I Googled the phrase "blog vomit" or "blomit" and "vomit blog" and found that each term had several, apparently unrelated definitions.  Many of them salacious.

But what I really want to say is that I am looking for a place to practice writing.  Anita Canterbury, my high school, freshman English teacher told us that if we weren't writing daily at this point, we would never amount to anything as writers.  However, at 45, I have a dream; I will never be a great writer, I may never even be a good writer, but if I work hard and practice, I can become a better writer (thanks to Bob Fosse's All that Jazz).

That is enough for now.  It is time to play with my settings.  And I don't mean that in a dirty way.

2:40PM