Directed by Konstantin Ershov & Georgiy Kropachyov
Writing Credits Konstantin Ershov & Nikolay Gogol (story) (as Nikolai Gogol), Georgiy Kropachyov, Aleksandr Ptushko
Based on a novel by Russian author Nikolai Gogol, Viy explorers the power of faith and belief in mythology through the efforts of a young seminary student struggling to fight a vengeful witch whose path he has inadvertently crossed.
Last Friday evening, a friend sent this text, “Going to see this tonight at a Burlesque Club called Le Chat Noir. Right up your alley.” with the link to the trailer I knew she was right before it was halfway through and I needed to watch this movie! Luckily, it is streaming on Amazon Prime and The Statesboro Psychotronic Film Society gave it a watch the next day.
Better than average teen, supernatural slasher that sacrifices jump-scares and violent kills for a slowly building sense of unease that catapults into an alright finale. The story is interesting and even though there is no heavy lifting to be done, the young performers are up to the task.
Directed by Frank Darabont Writing Credits (WGA) Frank Darabont (screenplay), Stephen King (novel)
Frank Darabont’s 2007 adaptation of Stephen King’s novella The Mist is a great example of the rare movie that asks, “What if the God of the Old Testament were to re-emerge today?” Shortly after it begins, a terrible calamity befalls a small New England town and a group of local citizens and “summer people” find themselves struggling for survival inside the supermarket that is trapped inside an other worldly mist.
English Chamber Choir / London Symphony Orchestra perform Tommy (1972)
Genre Stage & Screen, Classical, Pop/Rock
“The album challenge is simple enough to post an album cover per day for 10 days, challenging a friend per day to take the challenge & not to unfriend me for it. HAHAHAHAHAHA. As promised, today's challenge is extended to fellow Methodist alum, Michael Williams. Thank you for offering to take the torch and run with it for the 10 day 10 album marathon!“
La rebelión de las muertas (original title)
Director: León Klimovsky (as Leon Klimovsky)
Writers: Paul Naschy (screenplay) (as Jacinto Molina), Paul Naschy (story) (as Jacinto Molina)
León Klimovsky's Vengeance of the Zombies draws from many sources. It presents a jaw dropping mashup of Hindu mysticism, Satanism, and Voodoo, plus references to the Kali Death cult thuggees and a nod to the writings of Howard Phillips Lovecraft. This willingness to clump all sorts of horror sources together in one movie was a trademark of Spanish actor, director, and screenwriter Paul Naschy (who provided the screenplay). A truly admirable quality from Naschy's large body of work, as uneven or downright weird as it could get, was his love of the genre. He truly was a Glenn Danzig before there was a Glenn Danzig.
The other day as I was riding my bike around the lake, a line of spectral riders approached in the fog and I tried to remember the name of a movie about undead, Satan worshipping bikers terrorizing a small town. The Wild One, but from Hell. It was on a DVD from Netflix, years before they started streaming.
Screenplay Waldemar Young and Philip Wylie, H.G. Wells (novel)
This nearly 100 year old film is primitive yet effective. As is often the case with older films that lack the visual sophistication of modern movies, the screenplay is everything. The most important elements are related through dialogue, not in action. The story is mesmerizing, beginning with shipwrecked man adrift at sea and ending the revolt of pack of wild human-animal hybrids as the extract horrifying revenge on their creator.
This is the second movie in what looks to be a 3 movie series dealing with relationships between women where one is in power, and the other is under her. The first was the Brazilian film Good Manners and the next one will be Greta.
For a movie that is supposed to be about women, however, screenwriters John Knautz and Alexis Kendra created their characters as 2 dimensional objects. Most of the women are vain, selfish and superficial creatures whose prime motivations in life are eating chocolates, getting beauty treatments, shopping, and defining themselves through their relationships with men.
Back in the days before Netflix and mailable DVDs, we used to have to go to the video store to rent VHS cassettes. Luckily, the Putney, Vermont general store had a great video tape collection in the early 1990s! What was especially wonderful, besides their wall of cult favorites, was the full large of foreign movies. Since this was pre-internet days, we didn't have the luxury of looking up titles read about them. All we had was what was on the box and sometimes the boxes lied!
We learned to be wary of movies that were billed as "Triumphs," or "Laughter filled testaments to life!" And the word "Heartwarming" was meant Do not rent this video!" One such South American film, the title escapes me, bore all those labels was about a middle-aged gold digger and her desire to plan to find a sugar daddy so she can leave her husband and ungrateful children. The climax end takes place in a remote in the jungle where the husband and the elderly sugar daddy incapacitate face each ahead of an oncoming flood. The film ends with the woman leaving both men to drown. As she rushes to safety, she comments that someone always cares for stray dogs.
2014 was a great year for New Zealand horror! Two Kiwi films from that year, Gerard Johnstone's first feature length, claustrophobic, comedy/thriller Housebound and the mockumentary vampire film What We Do In The Shadows both figure prominently on Mark Hofmeyer's The Top 21 Horror Films of the 21st Century!
I watched Housebound on Netflix and had a great time with it. The film paces itself well while dissecting the inner workings of a dysfunctional family attempting to reintegrate their prodigal daughter while living in an apparently haunted house. Morgana O'Reilly shows great prowess as Kylie who swings between royally pissed off daughter who is forced to return home and seeming victim of a malevolent force that just wants to help.
I should also mention that it is a screwy-screwball comedy with bumps, jumps, pratfall and plenty of hilarious one-liners!
While lacking any touching or sentimental moments, Housebound packs in plenty of laughs, thrills and genuinely scary moments plus an appropriate amount of gore.
And to top it off, there is this song at the end:
Click here to see the list of movies I am shooting to watch between now and the Halloween. Make sure to check out the original article at Movies, Film and Flix !
Every spring, my old home state of Vermont shuts down for Town Meeting Day. This a day for the populace to practice democracy by directly by debating, discussing and voting on various ordinances. It is a tradition that goes back to the 17th century. On Town Meeting Day in 1999, Vermont Public Radio broadcast a brief interview with author Stephen King about the new mini-series based on his novel Storm of the Century. The timing was no coincidence since the climax of Storm takes place at what is probably one of the saddest Town Meetings in literature. I cannot remember his exact words (and if anyone can find them-you'll earn a place of honor in my heart), King started the interview by saying that there was nothing scarier to him than a group of ordinary citizens gathered together in terrible circumstances. This theme returns time and again in many of his works and their various sized screen adaptations but one of the best is Frank Darabont's 2007 version of King's novella The Mist. Huddled together for survival in a New England grocery store the morning after a storm, this collection of concerned citizens gleefully shed their silly man suits and willfully start biting the heads off their neighbors for the singular pleasure of shitting down their necks almost as soon as the blood from the first victims starts to fly.
Remember that kid in middle school that no-one liked? The one that just didn't fit into any group except as Fresh Meat for the bullies? Ever wonder what happened to him or are you glad you don't have to avoid sitting next to his funny smelling ass on the bus any longer? According to original novelist and screenwriter, John Ajvide Lindqvist, there is a pretty good chance he is drugging people, draining their blood and taking it home to feed it to his best friend, a centuries old vampire.
October is really Shocktober in my house. That's when I try to watch as many horror movies as I can.
I am not a very organized person, and terrible at planning, so I usually wing these yearly marathons and try to make some sort of tally of what I watched. Well, I made a list last year. That was a step up from previous years. Last weekend I came across this interesting article which listed the top 21 horror films of the 21st century (thus far), according to the Internets. Inspired by the fact that many of my favorite, modern films were on it, I made an executive decision and decided that Shoctoberfest would start early this year. Here is the list that Mark Hofmeyer at Movies Films & Flix created, so let's get busy:
21. (tie) Session 9 (2001)
21 (tie). The Devil’s Rejects (2005)
20. What We Do in the Shadows (2014)
19. Paranormal Activity (2007)
18. The Mist (2007)
17. The House of the Devil (2009)
16. American Psycho (2000)
15. Trick r’ Treat (2007)
14. [Rec] (2007)
13. Martyrs (2008)
12. The Conjuring (2013)
11. The Ring (2002) (American remake)
10. Drag Me To Hell (2009)
9. Mulholland Drive (2001)
8. Shaun of the Dead (2004)
7. The Babadook (2014)
6. It Follows (2014)
5. Let the Right One In (2008)
4. The Descent (2005)
3. 28 Days Later (2002)
2. Pan’s Labyrinth (2006)
The Winner: Cabin in the Woods (2012)
(My honorable mentions include Kill List, the entire [REC], VHS and ABC's of Death franchises. I know that not everyone enjoyed the franchise films as much as I did, but why heck wasn't Kill List on this list?)
To find out how the author chose these films, read the article. My goal is to try to watch as many of these films as I can before I get distracted by oh look, nonfat Greek Yogurt...But really, let's just jump right to the top of the list and start talking about the movies.
To start off, I watched Joss Whedon's 2012 meta-horror film The Cabin in the Woods. If you haven't seen it, stop reading and go watch it. Seriously, the less you know, the better your experience will be. We'll wait.
What does the suffix meta mean when applied to any type of art work? If you are still reading and haven't seen the movie, I wash my hands of all responsibility. Meta is an adjective that describes a creative work referring to itself or to the conventions of its genre. It is self-referential. Does that make The Cabin in the Woods a horror movie about horror movies? Or is that just dumb? Well, IMHO, the whole meta genre can get old, tired and predictable pretty quickly. It can also re-plow the once fallow fields of an exhausted old farm and yield a smart, exciting and entirely fresh approach.
Richard Jenkins and Bradley Whitford proving that peeling off the opaque layers and removing the obfuscations behind reviled archetypes (and stereotypes) is cool.
It took a awhile to warm up to the film the first time through because it was so trite and cliched in the first third. But that is what made the rest of the film so amazing! Plus Whedon and co-writer Drew Goddard (The Martian, Cloverfield) wrote themselves into the script as a two man chorus whose wry banter provided excellent exposition.
To get all the "in" joke references, check out this cool video on Good Bad Flicks's YouTube page (worth checking out for further content). Make sure to watch to the end (it is about 10 minutes long) because he does a great job (better than I could) explaining why The Cabin in the Woods is such a fun and important film for fans of the genre.
I realize that most of this post is content from other posts, so does that make this a meta-post?
Obligatory “I know it has been a while...” paragraph: I know it has been a while since my last post.
The question all dilettantes ask themselves constantly is “Am I missing something cool?” At some point in the past I made a decision to start actively seeking art, music, films, whatever my diverse diversions are called, that are created by women. The basis was simple; most of my music, books, favorite film makers are men. Not that there is anything wrong with that, I happen to be a man IRL (Sorry, Hungd00d682, but you have been catfished. And you need help). But it seemed that there were many voices that deserved to be heard.
So this post is a gratitude post for some of the cool, new music I have been listening to from that other gender.
I am just going to leave this here, from a fb conversation on God and man:
I think that comments like the ones you started this thread have little to do with the nature of a higher power and more to do with the nature of human beings. And let's face it, since we are all free to create our own understanding of what that higher power is, there is going to be some pretty messed up stuff put out there by a lot of unbalanced folk whose most redeeming quality is their ability to make other people do stupid stuff.
Having said that, I would suggest you take some time to open yourself up to God so that he would show you His true nature by watching [REC] 4: Apocalypse, which deals with these issues in a unique and surprisingly sensitive way.
Seriously, you need to put it at the top of the list of important things to do soon. Even more important than fixing Timmy's kite or getting gang-banged by midgets in clown make-up.
Maybe not the midgets, but you know that Timmy punk is going to grow up to be an asshole no matter how many times you fix his fucking kite. Plus, there is a literal shower of monkey guts.
Yes, I am a fan of the whole series. Each movie is a well-balanced movie-meal of good scares, great action and just the right amount of gore and humor. As a plus, missing from the third installment, Manuela Velasco is back as Ángela Vidal, one of the most serious butt-kicking femmes in any franchise since Sigourny Weaver's Ripley.
Even though she doesn't like horror movies, The Doctor does like Halloween. This is us as tour guides for a haunted house in Vergennes, Vermont. This was probably our favorite Halloween Night.
Every year, much to the Doctor's dismay, I dub October Shocktober and try to watch as many horror movies as I can. This year I decided to share the movies I watched by posting an image from the it as my fb profile picture.
If forgotten, the sins of the past are likely to be revisited on the future. As the only nation to have nuclear weapons used against them, Japan has a duty to remember the scale of devastation Fat Man and Little Boy had on the unsuspecting cities of Hiroshima and Nagasaki in 1945. They commemorated these attacks by re-imagining the bombs as giant, invulnerable radioactive monsters who would devastate entire cities. It was fitting that The Doctor and I chose to honor the memory of the frightening destruction of the war by spending Memorial Day watching Gareth Edwards' thoroughly American remake of Godzilla, a creature spawned 60 years ago by the Japanese to remind us all of the monstrous effects of the most violent weapons ever unleashed on humanity.
In the 1970s, martial arts films from Hong Kong began to flood grindhouse theaters and late night television slots in America, creating a “Kung Fu Craze” that captivated action film fans. Martial arts director/star Sammo Hung, actors Lam Ching-ying and Yuen Biao made several standout films together together that not only fed the craze but also elevated the quality of film-making of the genre. In the 1990s, my daughter and I used to watch bootleg VHS copies of these movies together. One of her favorites was 1979’s The Prodigal Son, which was both a kung fu comedy with breathtaking action scenes and fight choreography and a warm tribute to the Peking Opera origins of the stars.
I started this blog in 2010, when I became ill and couldn't sleep. The Insomniac Theater was a chance to dump some of the obsessive thoughts into the larger muck pond of the Internet. My daughter's cat, Olivia, would pad into my room as I set up my laptop and put on headphones. Tucked under my chin, she would watch the colors of on laptop screen while I explored all the movies I could get my hands on. We were a weird pair, me with my nearly useless limbs and this scrawny, angry black cat the only two creatures awake in the house. A perfect time for ghost stories.
H.P. Mendoza's ghostly chiller I Am a Ghost would have been a perfect movie for those nights.
This special “I can’t believe it has been so long” edition of What I Watched Last Night presents a classic, double creature feature from the islands of “It’s More Fun in the” Philippines. Come to a land of beautiful sunsets, lush jungles, gorgeous, exotic women, blood thirsty vampires and horny, homicidal plant-people monsters and prepare your mind for the Twin Tales of Tagalog Terror!
The first feature was 1964’sThe Blood Drinkers(akaBlood is the Colorof Night), directed by Gerardo de León. The Blood Drinkers was the good movie for the night, a sure fire winner of a vampire film with its tragic love story and doomed search for redemption. There is even a rubber bat (named Basra!)
Here are my usage and loyalty statistics from Internet Usenet Provider Easynews:
"USAGE: 3,158,654,239,388 bytes web (2941.73 gigabytes), 204,150,990,984 bytes NNTP (190.13 gigabytes) You have downloaded a total of 3131.86 gigabytes. You've accumulated 3141.23 gigabytes (3,372,872,660,059 bytes) for downloading. You have 9.38 gigabytes (10,067,429,687 bytes) remaining. Your account will cycle on 2013-06-16 You have been signed-up continuously since Sat May 31 09:19:00 MST 2003 (10.03355514 years)." After over a decade of using Easynews to get access to Usenet (probably one of the oldest Internet thingys still in use), I decided it is time to say "Farewell"
Usenet is the Internet without HTML. It predates the World Wide Web by 10 years. It started as a way to post messages among, well, if you want to know more, here is the Wikipedia page.
I do not know what I did with that 3000 gigabytes of stuff. Probably a disturbingly large part of that was pornography.
At the very least, Easynews gave me access to a pretty large library of arcane and esoteric stuff. That is the big advantage of Usenet over torrents: stuff gets posted on a server so anyone who knows how can download it quickly, wholly independent of who many people are seeding or leeching or whatever the heck torrents are about.
Their service record is impressive. There were very few technical glitches that affected me. Easynews often give out free gigabytes to customers when troubles do come up (they are very generous).
The last time I saw a movie that such an intense audience impact as the new The Evil Dead was 1999's The Blair Witch Project, which left some poor girl weeping in terror long after the lights came back on. Even though the remake of Sam Raimi's 1981 The Evil Dead wasn't the life changing event I hoped it would be, it is still had a good time. Unless you are the poor guy behind me who fainted during the tongue-cutting scene (at about 2:09 in the red band trailer).
Fede Alvarez's version of The Evil Dead is a basic "5 Stupid People in the Wrong Place" movie where the beginning sets out the back story. In this case, douche-bag brother Dave (Shiloh Fernandez, the hunk from Little Red Riding Hood) and his girl friend show up at his little sister Mia's (Jane Levy from the US version of Shameless) cold-turkey heroin intervention. I did a lot of eye rolling, especially over the horribly bad choices the characters made before the crazy happened. Seriously, the best thing to do would have been to drop Mia off at a nice clean rehab under a qualified doctor's care and everyone else find an Al-Anon meeting. Worst moment: Mia seriously burns herself and everyone wants to take her to a hospital. Everyone except friend Olivia (Jessica Lucas), the worst nurse in movie history. Nurse Ratched is against going to a hospital because "She would just get the same treatment I'm giving her." Not really, in a hospital they have real doctors and medical equipment. All she brought is a large supply of Chlorazepam. Seriously, when others need medical attention, Dave's girl friend and an old first aid kit in the shed at the first line of defense. Granted, by the time they needed bandages, the nurse was out of the picture, but she still should have brought bandages. Once the supernatural stuff starts to happen, the movie's pace quickly speeds up. There is very little of the vacillating between "She is a demon" and "She still my sister."
From 1981's The Evil Dead
I wasn't sure I wanted to seeuntil I saw Sam Raimi's car in the another trailer. Not because I am opposed to remakes, but because I didn't think it would be any good. Too often I've seen low budget, independently made horror movies redone with large budgets, CGI, and TV stars trying to make the jump to movies and found them lacking.
Not all source material needs to be treated with an almost fanatical sense of reverence, after all, this is not The Koran. It isn't the duty of every remake or reboot to is to be extended homage to the original (ever see Gus Van Sant's Psycho?). And don't get me started on the "It's not as good as the book" crowd. In both cases, people seem to forget that it is an original movie first, then a remake of an older film or movie version of a book.
This Evil Dead is not a shrine to Ash, Scott, Cheryl, Linda and Shelly, the characters of the original (and the word deadites is never said). It is its own thing. Once you get pat that, it is pretty kick ass horror movie and I am glad I saw it. There was plenty of the jump-out-of-your-skin moments. It certainly kicked the ass of the guy behind me.
I can't really think of a better recommendation than that.
Hey all, I want to tell you that I have not given up on writing this blog, but health issues have gotten in the way of that. To those that have questions, you can read about it on my other blog.
Hopefully I will soon get to the point where I can put some sentences together to make a paragraph return to the theater.
2014 was a great year for New Zealand horror! Two Kiwi films from that year, Gerard Johnstone's first feature length, claustrophobic, comedy/thriller Housebound and the mockumentary vampire film What We Do In The Shadows both figure prominently on Mark Hofmeyer's The Top 21 Horror Films of the 21st Century!
Remember that kid in middle school that no-one liked? The one that just didn't fit into any group except as Fresh Meat for the bullies? Ever wonder what happened to him or are you glad you don't have to avoid sitting next to his funny smelling ass on the bus any longer? According to original novelist and screenwriter, John Ajvide Lindqvist, there is a pretty good chance he is drugging people, draining their blood and taking it home to feed it to his best friend, a centuries old vampire.
October is really Shocktober in my house. That's when I try to watch as many horror movies as I can.
What does the suffix meta mean when applied to any type of art work? If you are still reading and haven't seen the movie, I wash my hands of all responsibility. Meta is an adjective that describes a creative work referring to itself or to the conventions of its genre. It is self-referential. Does that make The Cabin in the Woods a horror movie about horror movies? Or is that just dumb? Well, IMHO, the whole meta genre can get old, tired and predictable pretty quickly. It can also re-plow the once fallow fields of an exhausted old farm and yield a smart, exciting and entirely fresh approach. 
Obligatory “I know it has been a while...” paragraph: I know it has been a while since my last post.
Even though she doesn't like horror movies, The Doctor does like Halloween. This is us as tour guides for a haunted house in Vergennes, Vermont. This was probably our favorite Halloween Night.
If forgotten, the sins of the past are likely to be revisited on the future. As the only nation to have nuclear weapons used against them, Japan has a duty to remember the scale of devastation Fat Man and Little Boy had on the unsuspecting cities of Hiroshima and Nagasaki in 1945. They commemorated these attacks by re-imagining the bombs as giant, invulnerable radioactive monsters who would devastate entire cities. It was fitting that The Doctor and I chose to honor the memory of the frightening destruction of the war by spending Memorial Day watching Gareth Edwards' thoroughly American remake of Godzilla, a creature spawned 60 years ago by the Japanese to remind us all of the monstrous effects of the most violent weapons ever unleashed on humanity.
In the 1970s, martial arts films from Hong Kong began to flood grindhouse theaters and late night television slots in America, creating a “Kung Fu Craze” that captivated action film fans. Martial arts director/star Sammo Hung, actors Lam Ching-ying and Yuen Biao made several standout films together together that not only fed the craze but also elevated the quality of film-making of the genre. In the 1990s, my daughter and I used to watch bootleg VHS copies of these movies together. One of her favorites was 1979’s The Prodigal Son, which was both a kung fu comedy with breathtaking action scenes and fight choreography and a warm tribute to the Peking Opera origins of the stars.
I started this blog in 2010, when I became ill and couldn't sleep. The Insomniac Theater was a chance to dump some of the obsessive thoughts into the larger muck pond of the Internet. My daughter's cat, Olivia, would pad into my room as I set up my laptop and put on headphones. Tucked under my chin, she would watch the colors of on laptop screen while I explored all the movies I could get my hands on. We were a weird pair, me with my nearly useless limbs and this scrawny, angry black cat the only two creatures awake in the house. A perfect time for ghost stories.
The last time I saw a movie that such an intense audience impact as the new The Evil Dead was 1999's The Blair Witch Project, which left some poor girl weeping in terror long after the lights came back on. Even though the remake of Sam Raimi's 1981 The Evil Dead wasn't the life changing event I hoped it would be, it is still had a good time. Unless you are the poor guy behind me who fainted during the tongue-cutting scene (at about 2:09 in the red band trailer).
