English Chamber Choir / London Symphony Orchestra perform Tommy (1972)
Genre Stage & Screen, Classical, Pop/Rock
“The album challenge is simple enough to post an album cover per day for 10 days, challenging a friend per day to take the challenge & not to unfriend me for it. HAHAHAHAHAHA. As promised, today's challenge is extended to fellow Methodist alum, Michael Williams. Thank you for offering to take the torch and run with it for the 10 day 10 album marathon!“
La rebelión de las muertas (original title)
Director: León Klimovsky (as Leon Klimovsky)
Writers: Paul Naschy (screenplay) (as Jacinto Molina), Paul Naschy (story) (as Jacinto Molina)
León Klimovsky's Vengeance of the Zombies draws from many sources. It presents a jaw dropping mashup of Hindu mysticism, Satanism, and Voodoo, plus references to the Kali Death cult thuggees and a nod to the writings of Howard Phillips Lovecraft. This willingness to clump all sorts of horror sources together in one movie was a trademark of Spanish actor, director, and screenwriter Paul Naschy (who provided the screenplay). A truly admirable quality from Naschy's large body of work, as uneven or downright weird as it could get, was his love of the genre. He truly was a Glenn Danzig before there was a Glenn Danzig.
The other day as I was riding my bike around the lake, a line of spectral riders approached in the fog and I tried to remember the name of a movie about undead, Satan worshipping bikers terrorizing a small town. The Wild One, but from Hell. It was on a DVD from Netflix, years before they started streaming.
Screenplay Waldemar Young and Philip Wylie, H.G. Wells (novel)
This nearly 100 year old film is primitive yet effective. As is often the case with older films that lack the visual sophistication of modern movies, the screenplay is everything. The most important elements are related through dialogue, not in action. The story is mesmerizing, beginning with shipwrecked man adrift at sea and ending the revolt of pack of wild human-animal hybrids as the extract horrifying revenge on their creator.
This is the second movie in what looks to be a 3 movie series dealing with relationships between women where one is in power, and the other is under her. The first was the Brazilian film Good Manners and the next one will be Greta.
For a movie that is supposed to be about women, however, screenwriters John Knautz and Alexis Kendra created their characters as 2 dimensional objects. Most of the women are vain, selfish and superficial creatures whose prime motivations in life are eating chocolates, getting beauty treatments, shopping, and defining themselves through their relationships with men.
Back in the days before Netflix and mailable DVDs, we used to have to go to the video store to rent VHS cassettes. Luckily, the Putney, Vermont general store had a great video tape collection in the early 1990s! What was especially wonderful, besides their wall of cult favorites, was the full large of foreign movies. Since this was pre-internet days, we didn't have the luxury of looking up titles read about them. All we had was what was on the box and sometimes the boxes lied!
We learned to be wary of movies that were billed as "Triumphs," or "Laughter filled testaments to life!" And the word "Heartwarming" was meant Do not rent this video!" One such South American film, the title escapes me, bore all those labels was about a middle-aged gold digger and her desire to plan to find a sugar daddy so she can leave her husband and ungrateful children. The climax end takes place in a remote in the jungle where the husband and the elderly sugar daddy incapacitate face each ahead of an oncoming flood. The film ends with the woman leaving both men to drown. As she rushes to safety, she comments that someone always cares for stray dogs.
2014 was a great year for New Zealand horror! Two Kiwi films from that year, Gerard Johnstone's first feature length, claustrophobic, comedy/thriller Housebound and the mockumentary vampire film What We Do In The Shadows both figure prominently on Mark Hofmeyer's The Top 21 Horror Films of the 21st Century!
I watched Housebound on Netflix and had a great time with it. The film paces itself well while dissecting the inner workings of a dysfunctional family attempting to reintegrate their prodigal daughter while living in an apparently haunted house. Morgana O'Reilly shows great prowess as Kylie who swings between royally pissed off daughter who is forced to return home and seeming victim of a malevolent force that just wants to help.
I should also mention that it is a screwy-screwball comedy with bumps, jumps, pratfall and plenty of hilarious one-liners!
While lacking any touching or sentimental moments, Housebound packs in plenty of laughs, thrills and genuinely scary moments plus an appropriate amount of gore.
And to top it off, there is this song at the end:
Click here to see the list of movies I am shooting to watch between now and the Halloween. Make sure to check out the original article at Movies, Film and Flix !
Every spring, my old home state of Vermont shuts down for Town Meeting Day. This a day for the populace to practice democracy by directly by debating, discussing and voting on various ordinances. It is a tradition that goes back to the 17th century. On Town Meeting Day in 1999, Vermont Public Radio broadcast a brief interview with author Stephen King about the new mini-series based on his novel Storm of the Century. The timing was no coincidence since the climax of Storm takes place at what is probably one of the saddest Town Meetings in literature. I cannot remember his exact words (and if anyone can find them-you'll earn a place of honor in my heart), King started the interview by saying that there was nothing scarier to him than a group of ordinary citizens gathered together in terrible circumstances. This theme returns time and again in many of his works and their various sized screen adaptations but one of the best is Frank Darabont's 2007 version of King's novella The Mist. Huddled together for survival in a New England grocery store the morning after a storm, this collection of concerned citizens gleefully shed their silly man suits and willfully start biting the heads off their neighbors for the singular pleasure of shitting down their necks almost as soon as the blood from the first victims starts to fly.
Remember that kid in middle school that no-one liked? The one that just didn't fit into any group except as Fresh Meat for the bullies? Ever wonder what happened to him or are you glad you don't have to avoid sitting next to his funny smelling ass on the bus any longer? According to original novelist and screenwriter, John Ajvide Lindqvist, there is a pretty good chance he is drugging people, draining their blood and taking it home to feed it to his best friend, a centuries old vampire.
October is really Shocktober in my house. That's when I try to watch as many horror movies as I can.
I am not a very organized person, and terrible at planning, so I usually wing these yearly marathons and try to make some sort of tally of what I watched. Well, I made a list last year. That was a step up from previous years. Last weekend I came across this interesting article which listed the top 21 horror films of the 21st century (thus far), according to the Internets. Inspired by the fact that many of my favorite, modern films were on it, I made an executive decision and decided that Shoctoberfest would start early this year. Here is the list that Mark Hofmeyer at Movies Films & Flix created, so let's get busy:
21. (tie) Session 9 (2001)
21 (tie). The Devil’s Rejects (2005)
20. What We Do in the Shadows (2014)
19. Paranormal Activity (2007)
18. The Mist (2007)
17. The House of the Devil (2009)
16. American Psycho (2000)
15. Trick r’ Treat (2007)
14. [Rec] (2007)
13. Martyrs (2008)
12. The Conjuring (2013)
11. The Ring (2002) (American remake)
10. Drag Me To Hell (2009)
9. Mulholland Drive (2001)
8. Shaun of the Dead (2004)
7. The Babadook (2014)
6. It Follows (2014)
5. Let the Right One In (2008)
4. The Descent (2005)
3. 28 Days Later (2002)
2. Pan’s Labyrinth (2006)
The Winner: Cabin in the Woods (2012)
(My honorable mentions include Kill List, the entire [REC], VHS and ABC's of Death franchises. I know that not everyone enjoyed the franchise films as much as I did, but why heck wasn't Kill List on this list?)
To find out how the author chose these films, read the article. My goal is to try to watch as many of these films as I can before I get distracted by oh look, nonfat Greek Yogurt...But really, let's just jump right to the top of the list and start talking about the movies.
To start off, I watched Joss Whedon's 2012 meta-horror film The Cabin in the Woods. If you haven't seen it, stop reading and go watch it. Seriously, the less you know, the better your experience will be. We'll wait.
What does the suffix meta mean when applied to any type of art work? If you are still reading and haven't seen the movie, I wash my hands of all responsibility. Meta is an adjective that describes a creative work referring to itself or to the conventions of its genre. It is self-referential. Does that make The Cabin in the Woods a horror movie about horror movies? Or is that just dumb? Well, IMHO, the whole meta genre can get old, tired and predictable pretty quickly. It can also re-plow the once fallow fields of an exhausted old farm and yield a smart, exciting and entirely fresh approach.
Richard Jenkins and Bradley Whitford proving that peeling off the opaque layers and removing the obfuscations behind reviled archetypes (and stereotypes) is cool.
It took a awhile to warm up to the film the first time through because it was so trite and cliched in the first third. But that is what made the rest of the film so amazing! Plus Whedon and co-writer Drew Goddard (The Martian, Cloverfield) wrote themselves into the script as a two man chorus whose wry banter provided excellent exposition.
To get all the "in" joke references, check out this cool video on Good Bad Flicks's YouTube page (worth checking out for further content). Make sure to watch to the end (it is about 10 minutes long) because he does a great job (better than I could) explaining why The Cabin in the Woods is such a fun and important film for fans of the genre.
I realize that most of this post is content from other posts, so does that make this a meta-post?
2014 was a great year for New Zealand horror! Two Kiwi films from that year, Gerard Johnstone's first feature length, claustrophobic, comedy/thriller Housebound and the mockumentary vampire film What We Do In The Shadows both figure prominently on Mark Hofmeyer's The Top 21 Horror Films of the 21st Century!
Remember that kid in middle school that no-one liked? The one that just didn't fit into any group except as Fresh Meat for the bullies? Ever wonder what happened to him or are you glad you don't have to avoid sitting next to his funny smelling ass on the bus any longer? According to original novelist and screenwriter, John Ajvide Lindqvist, there is a pretty good chance he is drugging people, draining their blood and taking it home to feed it to his best friend, a centuries old vampire.
October is really Shocktober in my house. That's when I try to watch as many horror movies as I can.
What does the suffix meta mean when applied to any type of art work? If you are still reading and haven't seen the movie, I wash my hands of all responsibility. Meta is an adjective that describes a creative work referring to itself or to the conventions of its genre. It is self-referential. Does that make The Cabin in the Woods a horror movie about horror movies? Or is that just dumb? Well, IMHO, the whole meta genre can get old, tired and predictable pretty quickly. It can also re-plow the once fallow fields of an exhausted old farm and yield a smart, exciting and entirely fresh approach. 
