One of my social media posts on The Banshee site. For some reason, I can't share directly from there. The Banshee is an awesome site devoted to horror in all forms.
This week’s tour of Latin America Horror cinema visits Paraguay and Brazil for two ghostly narratives from the morgue.
Morgue, 2019 Paraguay - Written and directed by Hugo Cardozo, Morgue reveals the tale of security guard Diego’s (Pablo Martinez) first night patrolling the morgue. The film provides a couple of solid jump scares but becomes mired in the shadowy areas of its environment about halfway through. There is no connection established between Diego’s guilt over accidentally killing a man and the supernatural torment he experiences. This robs the audience of watching any sort of resolution or redemption on his behalf. Morgue is available for rental on Amazon and for free on Tubi.
The Nightshifter (Morto Não Fala), 2019, Brazil - Another tale of a fellow who works in the morgue whose wrong decisions literally come back to haunt him. Dennison Ramalho directs the film from his script co-written with Cláudia Jouvin and based on a novel by Marco de Castro. Hardworking morgue attendant Stênio (Daniel de Oliveira) devotes his nights to casually conversing with the lifeless people he meets at work. When he uses secrets revealed by the corpses for revenge, he unleashes a furious phantom, calling for its own vengeance. The Nightshifter is currently streaming on Shudder and Amazon
Starting out as a tense reunion between two sisters, Violation quickly blows past any expectations the viewer may have and charges into the uncharted areas of the abject.
Joseph Catté's award-winning short Ad Lib is a fantasy thriller that uses music and karaoke to tell the story of Max and Julie's troubled relationship. Everything is not as it seems and the world beyond the colorful songs is dark and dangerous and has plenty of surprises. Check out our film review here:
Nothing brings a family together better than the holidays. Unless it is a deranged alien bent on destroying eveything. That will united even the most dysfunctional familys.
Read Time:2 Minute, 50 Second
Shocktoberfest 2021, Yuletide Edition
What do you do if you are into horror films but none of your family is, yet they insist you put together a list of holiday favorite movies because you are also the designated AV and IT guy? You can apply yourself to coming up with a bunch of family favorites guaranteed to warm their hearts or do such a terrible job that they will ask nothing of you ever again.
This situation does not warrant compromise. Either everyone will gather with cups of warm cocoa in their best Christmas sweaters and chuckle at the hijinks of whatever nightmarishly wholesome story of family bonding they settled on while you sit off to the side in your Nightmare on Elm Street —Dream Warriors hoodie, praying for a zombie apocalypse, or they glare with hatred at you as they pack up their still wrapped presents and leave.
Slashers were once unwelcome companions on my horror movie journey. The stories about the deaths of obnoxious teenagers seemed more like pointless exercises in sadism than genuine horror. But they would do in a pinch. When I was a freshman in college, my girlfriend and I went to see Friday the 13th: The Final Chapter. It was hard to keep my opinion quiet about how awful the movie was. Everything from the terrible choices the characters made to the predictable jump-scares were cause for complaint. Most irritating was the scene where Trish Jarvis (Kimberly Beck) returns to the dark basement where she just witnessed Jason kill Rob (E. Erick Anderson). What was she thinking? Rob was dead and Jason was still lurking in the dark. When she turned to run back up the stairs, I whispered to my date, “Watch, he is going to grab her!”
Watching a good scary movie can be a real physical experience. Releasing intense emotions causes an equal release of energy. As my prediction came true and Jason grabbed Trish, my words were lost in the loud scream that came out instead and I vaulted over the divider and onto my girlfriend’s lap.
Obviously, there was much to learn about the power slashers.
For the third edition of this year’s Shocktoberfest, I found a link between a contemporary film and a filmmaker rooted The Golden Age of Exploitation.
James Wan, a modern filmmaker whose hits include The Conjuring, Saw, and Insidious, heads in a new direction with his latest film, Malignant. The movie has been making waves in the horror community since its release. Stephen King himself extolled it in a tweet, heaping the highest praise on it. While looking forward, Wan's film rely's on the dirty DNA of Frank Henenlotter’s gory masterpiece, Basket Case.
The Hoolihan and Big Chuck Show cast – Bob “Hoolihan” Wells, “Little” John Rinaldi, and “Big Chuck” ShodowskiEver since I was old enough to stay up late and use the stove by myself, Friday nights were all about eating frozen pizzas and watching horror movies on TV. Before the Internet and VCRs, I was limited to the choices of whatever the local stations had on hand. Right after the nightly news, The Hoolihan and Big Chuck Show would start its weekly program of movies, silly skits, and PSAs for activities in Cleveland. Eventually, my parents bought a VCR, and the local video stores expanded my access to horror movies.
Now, nearly four decades later, I celebrate my love of horror movies and frozen pizzas whenever I can. Here is the lineup from my latest Friday Night Pizza and Horror Movies ritual:
Let’s get this party started! Time for this year’s round of Shocktoberfest mini-reviews!
I believe that horror can save us. Horror makes sense of the chaotic, unpredictable modern world. It provides solace to our stressed and grieving hearts. Horror paints vibrant colors over darkened existences. Horror helps us discover the best in all of us.
The stories themselves bring these changes. Discovering the strange and unusual helps us to bond with others. It encourages trust-building, attachment, vulnerability, and empathy. Empathy is the capacity to understand and even feel what another person is experiencing. To paraphrase The Prayer For Peace, also known as the Prayer of Saint Francis, it is better to understand than to be understood*. Embracing the unknown brings us knowledge.
Of course, in horror, everything becomes subverted and twisted. A wily serial killer may use empathy to get closer to their victim. In the first Shocktoberfest 2021 movie, failing to understand can be a lethal thing.
Directed by Rodrigo Aragão Written by Rodrigo Aragão Starring Renato Chocair, Allana Lopes, Diego Garcias, Caio Macedo, Clarissa Pinhei
Evil can’t be controlled
Introduction
The present is formed by history and battles started hundreds of years ago are still waging on. Brazilian writer-director Rodrigo Aragão’s newest film, O Cemitério das Almas Perdidas (The Cemetery of Lost Souls, 2021) is an engrossing and dark fantasy that uses the fight between the shamanism of Brazil’s indigenous people and the staid, oppressive and exploitative Catholicism of the Portuguese colonists. The movie opens with a dedication to José Mojica Marins, Brazil’s most well-known horror icon: Zé de Caixão/Coffin Joe. AragãoIs is telling the audience to prepare themselves for a history lesson through the lens of horror.
[Review] WITNESS INFECTION (2021) SERVES UP A FRESH DISH FROM CINEMATIC LEFTOVERS
Director: Andy Palmer Writers: Carlos Alazraqui, Jill-Michele Melean (as Jill-Michele Meleán) Stars: Robert Belushi, Jill-Michele Melean, Vince Donvito, Errin Hayes, Bret Ernst, Monique Coleman
“Always leave one in the head!”
-- Serrelli Family Motto
“It smells like death in here.”
Witness Infection (2021) is like a delicious repast made from leftovers. While the ingredients are familiar, mobster movies, rom-coms, zombie invasion films, they get mixed together into a unique dish. Occasionally the meal devolves into an overcooked, tasteless mess by relying on overused stereotypes, this liberally spiced gangster-zombie-romcom is saved by a quick witted, funny script and over-the top gore. There are plenty laughs, thrills and even a little pathos to balance it all out. Some viewers may left hungry for more substance, over all, it is a fun meal to feast on.
When Clemenza schools Michael on the art of cooking for 20 in The Godfather, Francis Ford Coppola forever linked together Italian families and food in cinema. Director Andy Palmer and co-writers Carlos Alazraqui and Jill-Michele Melean continue that tradition with a skilled cast of veteran comedy actors to create a movie about food, family, and the intestines that tie them together.
Many fans of the horror genre are curious about the bizarre, the violent, and above all, the bloody and frightening. The prospect of a journey into the abject, that terrifying place where there are no boundaries and everything is hostile and alien, is an irresistible draw to us. History is one of many resources available to help satisfy that curiosity. Its frightful stories of monstrous men and women captivate our imaginations. One such pair who have left an indelible mark on public consciousness appeared in Eastern Europe along the bridge of the 15th and 16th centuries and their impact is strongly felt today!
Director: Natasha Kermani Writer: Brea Grant Stars: Brea Grant, Hunter C. Smith, Kausar Mohammed, Dhruv Uday Singh, Yasmine Al-Bustami
“ I am not lucky I just work really really hard”
The Brea Grant Appreciation Society will come to order
People who are obsessed with horror movies are also obsessed with the people that make them. Many horror fans keep lists of favorite personalities such as Stephen King, John Carpenter and George Romero to name a few. After watching the excellent 12 Hour Shift, I added the name Brea Grant to my list. Ms Grant is a thought-provoking writer and innovative director. In addition to writing and directing, she is also an exceptional actress, having appeared in several notable films and TV series. The year 2021 is starting out to be a big year for her as well. March of this year will feature the release of two new projects that she has been intimately involved with; she stars in Jill Gevargizian’s The Stylist, and she wrote and starred in director Natasha Kermani’s Lucky (2020).
Director: Steven Kostanski Writer: Steven Kostanski Stars: Steven Vlahos, Matthew Ninaber, Kristen MacCulloch, Nita-Josee Hanna, Owen Myre, Alexis Kara Hancey, Timothy Paul McCarthy
Psycho Goreman: The horrors you have just witnessed cannot be unseen. Your young minds will carry this until it consumes you in a miserable death. Mimi: Cool.
On February 3rd, 2021, the Hollywood Foreign Press announced their nominees for the 78th Golden Globe awards, to spotlight excellence in film and television. I would like to address what I consider to be a grievous error of omission on their part. Their failure to nominate Stephen Kostanski’s Psycho Goreman (2020) as Best Intergalactic Feature is an unbelievable oversight and needs to be addressed!
Starring: Camille Sullivan, Summer H. Howell, Devon Sawa, Nick Stahl Director: Shawn Linden Writer: Shawn Linden
“We bring our problems to them, they bring their problems to us.” - Joseph
THE ELEMENTS OF FICTION
Shawn Linden's (The Good Lie) third film, Hunter Hunter (2020) presents the viewer with a complex roadmap to navigate towards a shocking conclusion which firmly places it in the subgenre of Canuxploitation. Linden takes his time to flense the skin and fat from his story to expose the bones and sinew before laying out the beating heart of his thriller. The main characters, the Mersault family, journey through many types of conflicts which drive the rising action and leads to a shocking climax and bloody resolution.
The Mersault family struggles with many different types of conflict as they live in their chosen setting, a cabin deep in the woods with minimal human contact. Joseph (Devon Sawa, Final Destination, Idle Hands), Anne (Camille Sullivan, A Dog's Way Home), and their tweener daughter, Renee (Summer H. Howell, Cult of Chucky), live off the grid. They make a simple, bare bones life as hunters and trappers. Their primitive existence is initially upset the return of a wolf that eats their traps the discovery that there is not enough money to buy supplies for the coming winter.
Child of Dunwich rise You have your fathers’ eyes Child of Dunwich rise End the world that you despise -Electric Wizard, “Dunwich,” Witchcult Today
Return to Dunwich
One of the most looked-forward-to horror movies of 2020 was Richard Stanley’s Color Out of Space. It was Stanley’s return to directing after 1992’s Dust Devil. There was much excitement about what the talented filmmaker would do with a work based on one of horror’s most beloved, and problematic authors–Howard Phillips Lovecraft. Upon release, the movie quickly was lauded as one of the year’s best movies. The reasons for its success are many, but Stanley’s unique envisioning of the story and his reverence for the source material were among the largest. Not surprisingly, the moviegoing public is anxiously expecting what he will do next.
Early in 2020, Stanley announced plans to make a Lovecraft trilogy. He had begun writing a script for The Dunwich Horror, based on Lovecraft’s story, first published in Weird Tales magazine in April 1929. This was exciting news for me because watching Daniel Haller’s The Dunwich Horror (1970) on late night television was my introduction to Lovecraft’s eldritch New England with its caches of forbidden knowledge, occult practitioners, and transdimensional monsters. I had been thinking about watching it again and now had a reason. With a new version coming soon, it was time to revisit spooky, aged Dunwich, Massachusetts to refresh myself on what devilry the Whateley clan did to earn their place in the hallowed halls of horror.
Holy shitballs has 2020 been a wild ride! But I believe we all learned a lot this year. Sadly, most of that probably falls under the “Good to Know” category rather than the “Good News” category. Who knew we would all end the year with Christmas lists that include day pajamas? Or be faced with the unsettling discovery that behind the burled, polished hardwood exterior of our system of checks and balances is the maggot laden, decomposing, hungry-for-your-brain zombie of despotism? Or just how easily many of our nation’s most beloved ideals could be subverted and perverted, used to attack the very principles they were established to protect? But lets talk about the movies. Here is my first ever end of the year wrap up of favorite films from the last few years. I made an effort to concentrate on movies that I haven’t written about previously because everyone already knows that Luca Guadagnino’s Suspiria is my favorite film. No, I mean Mandy, or was that Midsommer? Or…
I have been using the tools at Trakt to record what I watch and rate. My profile (please feel free to follow me!) is here: https://trakt.tv/users/mcubed1220
David Kajganich, screenwriter of Luca Guadagnino’s Suspiria spoke on The Gaylords of Darkness Podcast about there being two kinds of horror: Rigorous and less rigorous horror. To me, that defines the movies I watch once or twice and forget about and the ones that I rewatch many times because they offer plenty to ponder. For this edition, I mixed in some less rigorous films and reveled in their easy-going charms!
So much has happened in the world since you wrote to me in mid-September! Suffice it to say that life is still overwhelming, and our limbic systems are overburdened. The effects of long-term exposure to stress can lead to real changes in brain functionality and behavior. People can exhibit bizarre behavior and may become more susceptible to addiction and depression. Lucky for us, we have been dealing with those issues successfully for quite a while!
This week’s edition of Shocktoberfest 2020 is about old world horrors under the modern world’s electric lights. A Bay of Blood, which I wrote about last week, is an apt milestone to delineate between the dignified, gloomy gothic horror films set in the past and the newer, present-day, violent, and gory horror films that began to push them aside. Viewers began to lose interest in watching movies set in the previous century and began to crave movies set in a more familiar world – the one they were living in now.
Directed & Written by Brea Grant Stars: Angela Bettis, David Arquette, Chloe Farnworth, Mick Foley
Lucky you got family checks on you.
12 Hour Shift is a true gem of a movie! Writer-director Brea Grant’s ode to the fucked-up-ness of life in Arkansas in 1999, 12 Hour Shift (2020), was the movie I was most looking forward to watching at this year’s virtual Fantasia Fest. The acting, the story, the music, and the attention to fine detail made watching this long-anticipated movie a treat!. Like a master storyteller, Grant splays out her characters like a group of spinning quarters whirling around a tabletop. They ricochet off of each other in unpredictable ways, fall over or sail over the table’s edge.
I am writing this on September 18th, 2020 just after I found out that Ruth Bader Ginsburg is dead. For the first time, I am considering giving up and letting hopelessness take over. I keep thinking of a social media post about trauma survivors who watch the same movies and shows over and over. It is because they find comfort in the familiarity of the experience. Revisiting favorite shows and movies is a powerful antidote against the unpredictability of life. Pattern recognition for humans, where we examine the data, looking for the reassurances that we will survive the present.
This week I revisited a film that after 50 years still gives me nightmares. I was surprised to find some curious links between it, modern horror films, and today's news cycle. Like Ripley tells the xenomorph in Alien 3, "You've been in my life so long, I can't remember anything else," I can't remember my life before images from George Romero's Night of the Living Dead started making started making an impression. In fact, it was so powerful that I first viewed it subconsciously during my nighttime slumbers years before I was able to actually watch it. The world also said goodbye to Diana Rigg this week. This was perfect reason to watch her and Vincent Price ham it up in Douglas Hickox's Theater of Blood, a thriller-chiller of Shakespearean proportions.
The Hoolihan and Big Chuck Show cast – Bob “Hoolihan” Wells, “Little” John Rinaldi, and “Big Chuck” Shodowski
